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Or happy Memorial Day? Seems odd to say that. Time was I visited the graves with my Gran on this day - but that was over twenty some years past. (She died in 09, and I moved in 96, so...the last time I did that was probably 1994 or 95. Now my mother's cousin A visits Liberty, Mo once a year, at Memorial Day, to do it. I don't know who will do it when she passes, she's eighty. [No, it won't be me - can't drive and you kind of have to. Well that and I've an aversion to the mid-west.]

Didn't do much today outside of robot vacuum, and watch television. It was hot. I did make it to the grocery store and back - mainly for lunch items, and got a sick sinus headache for my efforts.

***

Television

1. Crimson Peak by Guillimoro Del Toro (whose name I can't spell). It stars Tom Hiddleston, Jessica Chastain, Mia Waswachowski, Jim Beaver, and Charlie Hunam. Hiddleston and Chastain pretty much own the movie.

It kind of reminds me of Dragonwyck, except with a murderous sister and incest. Or basically it's Bluebeard but with a murderous sister.

This is a common trope. The only thing Del Toro does differently is he has the brother and sister in love, and incestuous, and he kind of focuses on the sister's love for the brother - having her state at the end, that love makes monsters of us all.

The difficulty with this film is honestly the difficulty with all of Del Toro's films - he's more interested in his lovable monsters than the human characters. Also he tends to go for visual style over characterization or plot.

At any rate, it's not a scary film - it's more of a romantic gothic film? But in the vein of Dragonwyck not Jane Eyre.

Some nice visual imagery though.

[Available on Netflix, everywhere else you have to spend money for it.]

2. The Offer - via Paramount Plus. This is a series about the making of The Godfather. The principle characters are Al Ruddy (portrayed by Miles Teller - who took the role from Arnie Hammer, gee, guess why?), Robert Evans (Mathew Goode), Bettye McCart (Juno Temple), Mario Puzo, Francis Fort Coppla, and a producer portrayed by Burn Gorman.

It's okay. It's pretty much Paramount Studios and Hollywood during the late 1960s early 70s. Robert Redford, Frank Sinatra (who hated The Godfather), Mia Farrow, Ali McGraw, and various others pop up. And it focuses on the difficulties of getting a movie made, and producing it. The focus or central characters are the producers.

3. Star Trek : Strange New Worlds - it has almost the same credits music and entry signature as the Original Trek - with Pike making it up and giving voice to it. This is basically Star Trek or the voyages of the Enterprise with Christopher Pike, before James T. Kirk took over his crew.
It has Uhura, Spock, and Lt. Samuel Kirk. I like the cast. Also Ethan Peck makes a great Spock.

First episode was interesting, and there's some tension in the series - due to Pike's vision on Discovery of his horrific death and paralysis. (Which most Star Trek fans, or anyone who has seen the Star Trek episode "The Cage"/"The Menagerie" - that is referenced in Star Trek : Discovery, and shows Pike's fate. It's a disturbing episode in the original canon, and I'd love it if they were to undo it.) Anyhow Pike fears this ending, and his fear is affecting some of his decision making, until one of his officers gives him an epiphany of sorts - "those who fear death are more likely to live longer and survive longer than those who don't. If you can't see your death or imagine it, the quicker it will happen."

Also the episode references the classic film "The Day the Earth Stood Still" with the Enterprise playing a role that is similar to the aliens in the classic film.

3. Picard - I made the colossal mistake of watching the first episdoe of S2 (which is easy to do on these streaming channels which assume you've seen the first season already, I hadn't.) So I was confused by it.
I kept thinking - okay who are these characters and why are they doing whatever it is that they are doing? Also, why is Picard so messed up? And why did Q show up.

I just have to watch S1 first to understand it, apparently.

S2 is playing games with time travel and alternate timelines. I get the feeling Picard is playing into the temporal wars that are referenced in Star Trek Discovery.

What I like about the Star Trek franchise - and why I prefer it to the Star Wars franchise - is it kind of branched out more and created new characters, while at the same time building upon the old ones. Also it has managed to resolve and complete its character arcs in a satisfying fashion. With all of the original actors involved. We get all of Lt. Spock's history, including his back story (in Discovery and Strange New Worlds), all of Kirk's, all of Picard's, pretty everyones. And they weren't afraid to branch out and character new characters.

Add to all of the above? Trak is consistent, and explains the inconsistencies well.

Star Wars franchise - only works well when it veers completely away from the Skywalker/Solo clan. Mandalorian and Rogue One were for the most part pretty good. But the films that center on that clan with the exception of the first three films, and maybe Force Awakens, are a mess. As are the series.

Trek in sharp contrast has for the most part been fairly consistent. And rewarded long-time viewers with satisfying endings for their favs.

***

On the book front - I downloaded a lot of free gothic romances to the Kindle. There were four or five of them - rec'd by a blogger who hunted for modern writers of gothic romance that were good. The three that cost something - I ignored, one was Dragonwyck by Anya Seton (moustache twirling sociopathic love interest/villain and simpering, somewhat stupid, damsel in distress - with a young doctor who saves her - kind of a dumb version of Crimson Peak - hard pass), and the other was Jane (basically Jane Eyre with a Reclusive Rock Star - screamed New Adult, and hard pass), there was also one that was clearly the beginning of a mystery series and featured a serial killer (another hard pass).

Finished "Stitch in Time" - which Crimson Peak kind of reminded me of, except I liked Stitch better. Felt Stitch was a touch less cliche. Although both were problematic in that they followed common tropes. And Stitch felt a touch sexist, misogynistic in its trope. I know the author thought she was being clever with the twist, but I'd have gone the way I originally thought she was going - to be honest. This had the same problem that Crimson Peak had (without the incest, and the brother isn't nasty and is older, and rather sane). Stitch also focused more on the romantic and less on the horrific.

Will state that I agree with many of the reviewers in that Stich is among the few time travel stories that actually worked for me. Mainly because the heroine is not permitted much past the hero, so can't affect the timeline easily. Okay worked for the most part - it didn't bug me the way most of these time travel stories do.

Off to bed. Hopefully I won't wake up five times in the night like I have the last few nights. The disrupted sleep is resulting in irritability and increased tiredness.
shadowkat: (tv)
Woke up in an irritable mood for some reason - although did manage to thirty minutes of pilates exercises on my mat after a shower (yes, I know it would have made more sense to reverse the two, which occured to me while I was in the shower). Then made the mistake of reading the reviews in Entertainment Weekly - the reviewers in that mag used to be good, now they just grate on my nerves much the same way someone pulling their fingernails down a chalk board would. The television and movie reviews are *too* subjective, which I didn't realize was possible, and self-congratulatory. Providing me with very little insight on whether or not I'll them. In some cases they read like rants that I can read for free on the internet. Which begs the question - has the internet negatively affected the art of reviewing or was it always like this? Gillian Flyn is the worste of the bunch - she sounds like Carrie Bradshaw from Sex in the City, without the class.

Speaking of reviewing things....this is the first in a series of reviews on lesser known or below the radar tv shows that I think deserve a second look.

Journeyman

I've seen about four episodes of this one so far, which is enough to review it. Not that I don't judge tv shows on the basis of one episode - I do, there's too bloody many of them not to, but the ones that spark my interest - get four or five before I committ to them.

Journeyman on the surface appears to be yet another in a long series of shows about a guy or gal who helps strangers each week often to their own detriment. This trend started with the highly successful men on the run from (you fill in the blank) threat, typified by The Fugitive. It was followed by the man because of a weird science experiment must save others - The Incredible Hulk, The Six Million Dollar Man, and then jumped to the man who must redeem himself by saving others - Highway to Heaven, Angel, Forever Knight, and finally the man who gets stuck or lost or is part of an agency that travels through time - must save others to get back to his own time - Quantum Leap, TimeCop, and Time Tunnel.

I have never been much of a fan of this format - find it repetitive and predictable. It also has a tendency to leave me unsatisfied since the show keeps you by never resolving the problem at the center - which is why the person is forced to keep saving people even though he'd clearly be happier doing something else. With Angel - it was the curse and the hope for a possible shanshue which would make him human and allow him to be with Buffy, his one true love. Of course the character never achieves this - an apt metaphor for how life is about the journey not the destination or the proverbial carrot which in truth is little more than an illusion we have created to motivate ourselves. With Sam on Quantum Leap - it was saving enough people or hitting the perfect time solution so he could go back to his wife and family. Which of course never happened - instead he discovered that he became "saved" and left the earthly plain or something like that, the last episode of Quantum Leap was annoyingly surreal. The Fugitive may have been the only series that had a satisfying and/or optimistic ending - and it was a two hour movie event that set a record.

The time travel television series, episode on sci-fi tv shows, book, or film is not a favorite genre of mine either. Because they tend to focus too much on "the coolness" of traveling back in time. The main character spends a lot of time wandering around in the past, may even change a few things, but is the same - that character remains unaffected by what they've done, their lives aren't changed that much, no one seems to have missed them or noticed that they've left, and whatever they did in the past was clearly meant to be. Instead of using the idea to explore the potential problems of traveling through time - this is ignored.The only film I've seen that delved into the problems was The Butterfly Effect - not a great movie by any stretch of the imagination, but at least it explored what happens when you try to fiddle with your past. And how nothing ever turns out perfect. There is always a trade-off or price to be paid. Tweak one thread in the pattern of life - you tweak them all. Also, the last episode of Star Trek Next Generation - entitled All Good Things Must Come to An End did an interesting examination of how our choices affect what comes next in our lives and how we are the sum of all our experiences not just a few isolated ones.

What never interested me that much in regards to time travel or science fiction tv shows in general is the science. I go into the show not expecting the science to be accurate. Heck, TV can't even do an accurate legal show - why would they be able to do one that deals with quantum physics? As long as it isn't silly or really out there? I'm fine. Also helps that I don't know that much about quantum physics or physics in general - unlike law or criminal procedure, which I do know something about.

Journeyman, despite what it looks like, is not your typical time travel tv show or man saving strangers to his own detriment each week or for his own salvation. It is interested in exploring something the others in this genre weren't - which is what happens in the present when the guy is sucked back into the past? What effect does his absence have on his current life? And does whatever he accomplishes in the past justify what goes wrong when he is sucked backwards? The whole metaphor of losing one's present by dwelling too much on one's past is examined in great depth here. The other issue it explores is what effect does his ability to time travel have on the people he loves the most? How does it help or hurt them? The B plot line is not how saving lives is making Dan (the time traveler) a better person or changing the world in a great way, but how it is affecting his life in the present and his loved ones, how they are dealing with it or not as the case may be.

Unlike most sci-fi/fantasy shows - Journeyman is more interested in examining its characters. The action, the time periods, the science of it - are all secondary to the character exploration. I've never seen a time travel show do this before. It sticks closely to Dan's point of view, only veering to include his wife, Katie, and brother, Jack to get a glimpse of how his travels are affecting his current life. We don't know why he's traveling any more than he does. We aren't given any more information than Dan is given.

Each time Dan goes back in time, his current life is affected but not by what he is done in the past - but by his mere absence. In one episode, his wife finds herself alone on a plane that they boarded together. She has to explain to the authorities how he disappeared from the plane when it was in the air. The result is that both Dan and Katie (his wife) are barred from plane travel and the newspaper where Dan works - does an article on the gaps in security at that airport. That's just one example. Also time works differently - unlike Doctor Who, where the Tardis can take the Doctor and his companion back to the exact time they left or for that matter Back to the Future, where Marty McFly reappears and his family never knew he was gone - in Journeyman three days may have passed when for him it was no more than a couple of hours or vice versa. Also unlike Doctor Who or Marty, he has no control over it and little warning. In the world of Journeyman - time travel is not fun and an apt metaphor for how little control we have over the events in own lives and the lives of others. We are stitches in the fabric of life, not weavers of the fabric. We also get bits and pieces of Dan's life - since he only travels back in time in his own neighborhood and surroundings - so we see who owned his house before he did, what he used to do, what his wife used to do, what his relationship with his older brother had been like and where he came from.

The show is by no means perfect. Some of the A plot lines or savings of the week feel a bit cliche and underdeveloped. The twists are often telegraphed - such as last week's episode where Dan saves a man by thrusting him into danger. Or the delivery of a baby on an airplane during the 70s, they went a bit too far with the costumes, those of us who lived in the 70's know people did not dress quite that colorfully. But those are minor points and are floating more and more to the background as the series advances and its B plot lines come to the forefront. The only drawback of the B plot line taking center stage is that you can't just jump into the series and be able to follow it. You sort of have to watch from the beginning.

If you haven't tried Journeyman yet and have zip to do at 10 pm on Monday nights, now's the time.

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